Needless to say, the Kona region is beautiful. This is the desert-side of
the island (the Hilo side is greener overall). But it is arid along the
coast on the flat volcanic "skirt" and lush just up the hill in
the coffee-growing altitudes. |
The Kona Culture Festival is more than a coffee competition (although I
think the cupping is the heart of the festival). Here is a plate made by
local ceramic artist, a rpize for the winning farm (Lafayette Coffee) |
On the display table, a nice example fo ripe coffee cherry on the branch.
I assume the red is Typica and the yellow is ripe Yellow Bourbon - Red cherry
does pass briefly through a yellow stage while ripening. |
The art show was nice, but I don't think my favorite piece won any awards
- I really liked this quilt. |
We spent the first morning of cupping sorting out the samples and waiting
for a coffee grinder ... yes, a coffee grinder. You actually do GRIND the
coffee before cupping it. Alas, the situation was handled in typical Hawaiian
fashion and we started 1.5 hours late. Who can possibly complain about being
late in paradise? It just means more time to enjoy the view. |
Speaking of view, here is the Lanai cupping "room' What a terrible
place to be stuck tasting great coffee, staring out at the ocean beyond
the reef, with a faint tropical breeze. Who can work under these conditions???
Seriously, this is a very different competition - more casual, interactive,
open to the public. It was a nice change from the real rigorous formal cuppings
I have attended so often. And I don't think the atmposphere distracted me
from the coffee ... |
If you are not aware, Gevalia is based in Sweden, and has been owned by
Kraft for many years. And Gevalia has been sponsoring the competition for
(I believe) 7 years now. It is really nice to see a larger coffee company
promoting small farms and quality coffee. Of course, they gain great press
from it ... but do you see Big Green sponsoring quality competitions? Here
you see 2 of the NY-based Kraft people, who were there for hands-on help
with the cupping (tabulating the numbers, sorting samples, etc etc. At the
computer is Jim Meinhold and with his back to the camera is Jim Cecere from
Kraft. |
This year the cupping coordinator was Scott McClung (above) a former Kona
farmer himself, and unfortuneately I didn't get a picture of Trent Bateman,
the event coordinator. They both did a lot of organizing work behind the
scenes. Trent owns the excellent Mountain Thunder Organic farm (so sadly
he couldn't enter his coffee in the competition). |
And the judges ... This is a very different event because there are only
5 of us ( most competitions I go to have 15-20). From L to R; John King
of Harold King and Co. (Bay area coffee brokerage); Myself, Willy Peterson
(retired after 38 years as Gevalia's cupper!); Miss Kona Shardae Grace;
Jim Cecere of Kraft, Lisslotte Eckhoff of Gevaila (Willy's successor); and
Shunta Baba of UCC Ueshima, Japan. |
Also unique at this event was the fat that in front of the cups we viewed
the roasted sample, the green sample and a parchment sample. Locals debate
the fact that farmers "primp" coffee just for the competition,
since they submit just 60 Lbs. Other events have larger lots, like 20-30
bags, and the sample is drawn from that lot. The lot is then auctioned later,
and it will match the coffee from the competition. But there is no auction
paired with the Kona competition. |
Kona coffee is beautiful by all standards. Some samples seemed a bit too
fresh/wet. But most were just outstanding. |
Perfect parchment from a traditional wet-processed coffee. One thing I would
say about the primping issue: while some parchement looked like this, others
definitely did not look like someone had culled it for the competition.
|
Here is a case in point; nice parchment with a few pods in there. Pods are
the hole cherry that did not get hulled. They will alter the cup a little,
but basically these coffees are taken out of parchement, screened and run
through a gravity table so defects are removed. Parchment appearance is
not everything... |
Here is a good example of the roasted sample. Trent and his daughter Brooke
did all the roasting on Diedrich IR-12's, about 4-6 Lb samples, roasted
to 405 degrees, just to the finish of 1st crack. This is a standard light
cupping roast. They did not roast the coffee to a good "appearance"
or even to it's optimal degree of roast ... how could you do that with 76
initial samples? So all coffee gets the same treatment; 405 degrees, and
about 9 minutes roast time. |
My problem with the roasting was that some of the coffee looked scorched.
I think the initial drum temperature was probably way too high, and perhaps
the roast too fast. Alas, it was not a problem in the competition since
you can basically sense the quality of the coffee despite the scorch, and
since all coffees were treated the same. Comptition roasting is very difficult.
You receive all these coffees with 9.5% moisture, 10%, 12%! They all roast
differently. All you can do is treat them the same, to be fair to all. |
Yours truly, and a fine table-top spitoon... |
Lisalotte, Jim and Shunta discuss water temperature. We boiled the water
in open kettles on high BTU propane stoves. No water issues though - good
temperature and water quality (bottled spring water). |
John King looks over the roasts. John's father started Harold King Co in
1958 and they were part of the old coffee district in San Francisco. He
tells me they shared a wall with Erna Knutsen, and that all the brokers
would get together and roll dice at lunch! |
Here is the list of finalists at the end of the first day. We narrowed it
from some 76 samples down to 18. |
On the final day, Rita Cowell anounces the winners of the art competition.
Rita and Skip own Kowali Farm, and you may remember the excellent Kowali
Blue Mountain coffee we have offered in the past (and hopefully this year
too, if she has enough for us to buy some). |